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NEWS 2016
Gosia Wlodarczak (2016) A ROOM WITHOUT A VIEW (extended), a 24-day sensory limitation drawing performance and installation at Kathleen O'Connor Gallery, Fremantle Arts Centre, Australia, curated by Ric Spencer (23 October - 12 November 2016);
pigment pen on wall, room dimensions: 500x900x500 cm overall drawing size: 140 m2.

Gosia Wlodarczak FROST DRAWING artist book, 96 pages, 28 x 22 x 2 cm, hard cover with slipcase and translucent section, limited edition of 500 numbered and signed, writers Catherine de Zegher, Anne Ryan, Russell Storer; design Gosia Wlodarczak; photographer Longin Sarnecki; published by Gosia Wlodarczak PRESENCE, ISBN 978-0-9875119-2-8 Frost Drawing", an artist book by Gosia Wlodarczak, is created as a lasting component for a series of her ephemeral drawing projects on glass. ...Frost drawings become and live their limited existence thanks to a growing number of art institutions and public spaces across Australia and internationally which invite and host the project. This list includes: Art Gallery of New South Wales, Australian Department of Foreign Affairs and Trade, Canberra Museum and Gallery, National Gallery of Australia, Queensland Art Gallery | Gallery of Modern Art, Sofitel Melbourne on Collins, Sofitel Sydney Wentworth, TarraWarra Museum of Art, The Street Theatre, Moscow Biennale, Singapore Biennale and private spaces. Published November 2016.

ARTIST IN RESIDENCE, Grafton Regional Gallery, NSW, 31 October–28 November 2016.

FROST DRAWING FOR WATFORD HOUSE, one-day performance drawing with installation on the windows and doors of Watford House, pigment pen on glass. Project curated by Lyndal Jones for A WALLABY ONCE SAT HERE, SMALL ACTS OF CELEBRATION, ECOLOGY AND THE FEMININE. Images courtesy of the artist and The Avoca Project Inc, The Swiss House, Avoca, Australia, 25 November - 4 December 2016.

A ROOM WITHOUT A VIEW (EXTENDED), a 24-day sensory limitation drawing performance, Kathleen O'Connor Gallery, Fremantle Arts Centre, Fremantle. Performance 23 September –16 October 2016. Post-performance installation on view till 12 November 2016.

MANY HAPPY LANDINGS, a survey exhibition of printed works showcasing documentation photography by Longin Sarnecki, curated by Gosia Wlodarczak and Andre Lipscombe, Collection Gallery, Fremantle Arts Centre, Fremantle, 23 September – 12 November 2016.

SILVER TUNICS, one day performance drawing and situation. Diptych, pigment pen on polyester and two documentation photographs by Longin Sarnecki, Jacaranda Drawing Prize 2016, Grafton Regional Gallery,
27 October - 16 November 2016. (The exhibition will tour till end of 2017)

FIVE DAYS IN THE LIFE OF DYING FLOWERS, pigment pen, pollen, object on paper, Kedumba Drawing Award 2016, Orange Regional Gallery, 20 August - 16 October 2016.

MAPPING LORETO MANDEVILLE, FROST DRAWING, a public art project at Loreto Madeville Hall, Melbourne.

SITUATIONS JOSHUA TREE (2012) presented by BoxoPROJECTS at Palm Springs Art Fair, USA, 11–14 February 2016.

A ROOM WITHOUT A VIEW, a nine-panel drawing installation with the performance documentation film acquired by Museum of Contemporary Art, Sydney, 2016.

THE TUNIC, one-hour drawing performance during the photo-session by Ilona Nelson for her project This Wild Song (a series of photographic portraits and interviews with Australian women artists who have a unique voice),
8 March 2016.

stCloud: FROST DRAWING FOR SEGUE, an eight-day drawing performance / installation on glass across four locations: Canberra Museum and Gallery, Department of Foreign Affairs and Trade, National Gallery of Australia, The Street Theatre, SEGUE International Festival curated by Caroline Stacey, The Street Theatre, Canberra, 7–15 May 2016.

THE ICE CUBE, FROST DRAWING FOR MSK GENT (2015 on display till 2016) ephemeral installation, curated by Catherine de Zegher a the Museum of Fine Art Gent, Belgium, on view 10 October 2015 - 5 March 2015 Image linked: Gosia Wlodarczak (2015) THE ICE CUBE, FROST DRAWING FOR MSK GENT, a 14-day performance drawing and installation on glass internal structure and other surfaces at Museum of Fine Arts in Ghent, Belgium, at TANGENTS exhibition curated by Catherine de Zegher (10 October 2015 - 05 March 2016); pigment pen on glass, overall size: 67 m2 + small situation drawing on windows and doors across the museum.



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